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he convention ratio by fames to normals at a modal value show is about 10:90. At PPQ, even so, it seemed as though all of London’s famous had turned up to witness the Autumn/Winter 2012 collection, entitled dimout. There is always and then a great deal hype around this pair – their body of work is consistently aphrodisiacal, a little bit outrageous and of the here and now. These mollify was no more unlike, with swathes from black velvet dresses, closely hobble circumvents (a little excessively close since some models, who could barely manner of walking and waist-nipping fully-skirted tweed coatings teamed with Veronica Lake pilus and scarlet lips.There was a Bettie Page contradiction going on through this show: it was half ‘40s ladylike, half S&M dominatrix – girls bulged out in beautiful ankle length pelages with mutton-chop sleeves and built-in draped scraves, swiftly followed by white leopard print silk blouson playsuits with PVC knickers. One particular hooded coat sent the Twitterati crazy - the draped black hood was decoratd with gold symbols and studs – a kind of subversive Red Riding Hood. This was definitely a case of deuce extremes – the couturiers described it as ‘the revelatory romance of winterClassic PPQ fabrics came out to bid – mohair shawl collars added a romanticist feel patch smooth added allure and their signature handbags were produced in a high-shine patent. Degrade monochrome chiffon dresses were a very sophisticated step-up for the normally playful PPQ, but there were plenty of saucy, outré moments to keep the celeb contingent happy. Not to mention the acingly cool Rule bikes, wheeled out by models at the start and close of the show.
Whatever direction PPQ make up one's mind to accompany, it appears they've a loyal following who volition cost bearing their conceptions to every event in town. We mitght pass during the mohair drawers, merely dismissed happily bear a velvety wiggle dress or three...